54 - Canned Energies
One time, I visited a lady who was extremely depressed. When I stepped into her
sitting room, I nearly fell over backwards in shock.
Over the mantelpiece on the chimney breast, in pride of place, there was a huge
poster which dominated the entire room.
It was a reproduction of “The Scream” by Edvard Munch.
Artists are people who know a bit about the energetic dimensions of material
representations and who can “bottle” these energies in order to pass them on to
other people.
When an energy AND THE MATERIAL OBJECT are broadcasting the same message on the
same frequency at the same time, you have something extremely rare and very
valuable indeed, because the majority of lonely consciousnesses could never
produce such a thing.
In order to produce an object where the energy dimensions are in alignment with
the Hard, you need to be in contact with your energy mind.
Edvard Munch managed to take a moment of deepest disturbance, to bottle it and
then to pass this moment on to a million other people.
For him this was only ONE MOMENT, plus a few hours to paint that moment.
For the lady who hung that on her wall, however, it continued broadcasting –
every day, every minute, even at night when she was asleep, the bottled scream
kept on screaming.
This is not only horrific, it is extremely dangerous.
The lady who to put “The Scream” on her wall chose this one painting from all
the unlimited possibilities of decoration and hung it up in her household altar
position. She did this because she recognised the power and the truth in that
painting, recognised it because she herself had a resonance to it, knew what it
was like when you feel that in your own body and then you must scream, just like
that.
And that’s the thing with real art, or you might as well call it real magic.
When the hard components and the energetic dimensions of any object, any song or
even any word are aligned and resonate on the same frequency, an extremely
powerful entity is born which can be resurrected at any time, anywhere this is
called upon.
It is a REACTOR of these energies that doesn’t wear out but keeps on getting
stronger, the longer it functions as a broadcasting device.
Such things are indeed, very rare in the world of people.
And interestingly enough, they are considered to be far more VALUABLE in the
construct world than even diamonds – and far more beloved.
This is why all human civilisations, no matter how old or new they may be,
celebrate those who can make such aligned power objects with the highest rewards
and the highest status.
But the artists who attempt to make such things have grave problems.
They too are caught in the conscious cages of entrainment and their pathways
between consciousness and the rest of the totality have been severely damaged.
Their energy systems are in deep disarray, and they are rarely happy people.
Like Edvard Munch.
Who passed on his own unhappiness and his pain to millions and millions.
Whose painting is on a thousand walls of people who killed themselves, because
their own pain and his eternal pain generator entered into a FEEDBACK LOOP from
which they could no longer escape.
Edvard’s scream needs to be confined to a museum and should not be lived with on
a daily basis.
And we must really, REALLY re-learn how to read these forms of energetic
realities correctly, to understand exactly what it is that we do to ourselves,
and we need to think seriously if we want to be just receivers, at the mercy of
chaotic and random circumstances, or if we wish to finally take a bit of control
over the energetic dimension of those things we surround ourselves with from the
cradle to the grave.
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